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      <image:title>Teaching and Coaching - The Auckland Project</image:title>
      <image:caption>2016–18 This ambitious project will see six new museums and tourist attractions open in Bishop Auckland over the next few years. But should the ways in which they communicate with visitors through written interpretation be unified too? I convened a series of workshops with staff where we discussed what each project had in common, but also what set them apart. We constructed a suite of interpretative ‘tones of voice’, related to one another, but each with their own distinct flavour. I articulated these voices, created a suite of tools for writers to use when constructing their text and delivered training about how the written voices are articulated in practice. The staff are now writing their own copy with confidence, including for the new Mining Art Gallery which opened to visitors in 2018.</image:caption>
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      <image:title>Teaching and Coaching - The Auckland Project</image:title>
      <image:caption>2016–18 This ambitious project will see six new museums and tourist attractions open in Bishop Auckland over the next few years. But should the ways in which they communicate with visitors through written interpretation be unified too? I convened a series of workshops with staff where we discussed what each project had in common, but also what set them apart. We constructed a suite of interpretative ‘tones of voice’, related to one another, but each with their own distinct flavour. I articulated these voices, created a suite of tools for writers to use when constructing their text and delivered training about how the written voices are articulated in practice. The staff are now writing their own copy with confidence, including for the new Mining Art Gallery which opened to visitors in 2018.</image:caption>
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      <image:title>Teaching and Coaching - The Portico Library</image:title>
      <image:caption>2018 As part of a project to catalogue the library’s extensive archive I am coaching a member of staff who has not undertaken public engagement work before. The aim is to take what he has found in the archive and to help him turn it to public-facing content. We are exploring social media outlets, writing an online guide to the collections and hosting a conference for librarians, archivists and the public about the gems that are being uncovered in the archive. We’ll even make an exhibition. The project is funded by the Heritage Lottery Fund’s Sharing Heritage programme.</image:caption>
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      <image:title>Teaching and Coaching - The Photographic Collections Network</image:title>
      <image:caption>2017–18 I acted as the Critical Friend and evaluator for this Arts Council-funded project. The new Subject Specialist Network seeks to create a place where those working with photographic collections can come together – online and in person – to network and to share best practice. I created an evaluation framework, attended their meetings, undertook evaluation with the membership and gave formal and informal feedback to the staff as the project developed. Part of being a Critical Friend involves pointing out where things are going really well, but also some constructive criticism, where necessary.</image:caption>
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      <image:title>Teaching and Coaching - The National Archives, London</image:title>
      <image:caption>2016 The National Archives has grand ambitions of how it would like to engage with the public in the future, with an ever-expanding programme of events and exhibitions. I was invited to help TNA think about some of the principles (and challenges) of public programming and making exhibitions. I convened three workshops with staff from across the organisation, reviewing the successes of current practice and identifying what the next steps towards a fully developed public programme might be. I put together an action plan for TNA and helped them with some recruitment of key personnel to help embellish their team. TNA is one to watch in the coming years. I predict they will soon be surprising the heritage sector and visitors alike with their programming.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1525436541056-FUSK3DJXPKWT73FTIJCH/Museum+text+-+Buxton+edit.jpg</image:loc>
      <image:title>Teaching and Coaching - Buxton Museum &amp; Art Gallery</image:title>
      <image:caption>2015 I was asked to provide some coaching for the museum team, to help and inspire them to produce interpretative text for their Wonders of the Peak gallery, which opened to the public in 2017. We held workshops at the museum where we explored the nature of museum text and had a go at writing example panels, labels and social media content in the safe space of a training setting. An independent review of the project, by Innovate Educate, said staff learned to challenge their instinctive writing styles, were more aware of good practice, understood different ways of writing and knew what words to avoid. The writing team went on to produce some superb text in the final gallery. I was particularly impressed with this recipe for a prehistoric dinner.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1524401921641-LCUFGZV6GGL91R89C8NN/AAA+Training+-+interpretation.jpg</image:loc>
      <image:title>Teaching and Coaching - Group Workshops</image:title>
      <image:caption>2010–present The person responsible for creating public content in a heritage organisation is often not an interpretation specialist. I lead training sessions for those working in museums, libraries, galleries and other heritage sites who may be new to interpretation and text writing best practice. These workshops have some taught elements, but are also very involved, inviting participants to have a go at writing museum copy and interpretation plans in a safe place. I’ve delivered plenty of training for the Arts Council England-Regional Museum Development Programme including the teams in London, the South East and the East Midlands.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1524401926635-H42G5Z5HT1DMF00ZNA70/06_Buxton_WOTP_3C0A7977.jpg</image:loc>
      <image:title>Teaching and Coaching - Buxton Museum &amp; Art Gallery</image:title>
      <image:caption>(2015) I was asked to provide some coaching for the museum team, to help and inspire them to produce interpretative text for their Wonders of the Peak gallery, which opened to the public in 2017. We held workshops at the museum where we were able explore the nature of written text and to have a go at writing some example panels, labels and social media content in the safe confines of a training room. The writing team went on to produce some superb text in the final gallery. I was particularly impressed with a recipe for a prehistoric dinner. An independent review of the project, conducted by Karen Merrifield of Innovate Educate [https://www.ieltd.co.uk/], said “The key learning points were: ·       Being more aware of good practice, what works and what to avoid (value judgements, jargon, passive voice) ·       Learning to challenge instinctive writing styles ·       Having a framework with tips and advice to draw on for inspiration ·       Understanding there are different ways of writing for different media.” It’s nice to know that as well as having an impact on the gallery, training has an impact on staff members. The evaluation report for this project said: “The visitor services assistant found the Writing for museums workshop to be of most use. It helped him to develop his writing style to one more appropriate for a museum. He now regularly writes blogs for the museum and was delighted to see his text used in the gallery.”  www.wondersofthepeak.org.uk. Photos courtesy of Buxton Museum and Art Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.steveslack.co.uk/interpretation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1524241121439-YBK88KXLRXMV5JDZVO45/QAH+Exhibition+%2816%29.JPG</image:loc>
      <image:title>Interpretation</image:title>
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      <image:title>Interpretation - ‘Lightbulb moments’ exhibition Victoria Gallery &amp; Museum</image:title>
      <image:caption>2025 Curating this exhibition about where great ideas come from, I created a narrative structure, selected objects for display, worked with designers to create a concept and wrote all the text for the display. There were plenty of personal and profressional lightbulb moments along the way.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/2456c94e-6465-4bcf-8afa-e227e60ca25b/Incarcerated+exhibition%2C+Midlands+Arts+Centre%2C+interpretation+by+Steve+Slack.jpg</image:loc>
      <image:title>Interpretation - ‘Incarcerated’ exhibition, Midlands Arts Centre</image:title>
      <image:caption>2024 I brought a group of academics (with no previous exhibition-making experience) together to curate an exhibition that showcases their research. The display interprets contemporary creativity in prisons while also exploring the persistence of Victorian approaches to incarceration today.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/d790d7f4-a7c1-4b9d-9fcf-ebd63817f192/Playful+interpretation%2C+Museum+of+Hartlepool%2C+interpretation+by+Steve+Slack.jpg</image:loc>
      <image:title>Interpretation - Museum of Hartlepool</image:title>
      <image:caption>2023 With the brief of making the museum entrance more playful, we injected play into the interpretation planning process. Then, working with a design team, we created a welcome that puts incongruity and activity into a space that is not only playful, but truly Hartlepoolian.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1c6ef005-e94f-4492-8cc4-bafc049d9b92/Research+on+Interpretation+Strategy+for+World+Heritage+Sites+Featuring+Criterion+%28VI%29.jpg</image:loc>
      <image:title>Interpretation - World Heritage interpretation</image:title>
      <image:caption>2023-24 The International Centre for World Heritage Interpretation and Presentation (Rep Korea) invited me to contribute a literature review and to be a part of the editorial group for this new research into the nature of interpretation stategy at UNESCO World Heritage Sites.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1524396479277-JQGIUVMLRC3XT6ZQ6UEU/Steve+Slack+leads+an+interpretation+workshop+of+people+stood+around+a+table+at+the+Wordsworth+Trust%2C+Cumbria</image:loc>
      <image:title>Interpretation - Wordsworth Trust</image:title>
      <image:caption>2017–18 Working with The Wordsworth Trust, and interpretation designers Nissen Richards Studios, I developed the interpretation plan for a successful Heritage Fund round 2 application of £4.1 million. Dove Cottage – the former home of William Wordsworth – re-opened in 2020 and the new museum will follow in 2021.</image:caption>
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      <image:title>Interpretation - Qasr al Hosn exhibition</image:title>
      <image:caption>2014–15 For the Tourism and Culture Authority of Abu Dhabi I developed an exhibition centred on a historic fort and watchtower – the oldest surviving building in the Emirate. Working closely with a curator we produced written content for the display and the script for a guided tour of the fort.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.steveslack.co.uk/writing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1525441827203-PO4OZLCQZYO5BQWSAVSM/Writing+-+Syira+at+IWM+North.jpg</image:loc>
      <image:title>Articles/videos - Syria: A Conflict Explored, exhibition review</image:title>
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      <image:title>Articles/videos - Never Going Underground, exhibition review</image:title>
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      <image:title>Articles/videos - The Event Tent, review</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1525441619771-20RV65PDKGL2K4NFHDI0/Steve+Slack+BBC.jpg</image:loc>
      <image:title>Articles/videos - Researching the Past, BBC (2011)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1525441618999-XWZHVU65RC6W5B3KYGU3/Steve+Slack+A+Walk+Down+-.jpg</image:loc>
      <image:title>Articles/videos - A Walk Down Choumert Road (2014)</image:title>
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      <image:title>Articles/videos - Pull down problematic statues? (2020)</image:title>
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  </url>
  <url>
    <loc>https://www.steveslack.co.uk/what-i-do</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1524392659132-DNENMWZLINGTX367ORAD/QAH+Exhibition+%2816%29.JPG</image:loc>
      <image:title>What I do - Interpretation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1524392499736-QE7ZUS7BTUBO1EFFZ5JG/AAA+audience+research+-+IWM+FWW3.JPG</image:loc>
      <image:title>What I do - audience research</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1524392297679-E02SBIADV9TD50E5TTOQ/Museum+Text+-+BBC+Hands+on+History.JPG</image:loc>
      <image:title>What I do - museum text</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1525366012195-4WWU74UPW63YI5Q9J7LZ/Steve+Callum+Portico+Teaching+and+Coaching</image:loc>
      <image:title>What I do - teaching and coaching</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.steveslack.co.uk/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-05-03</lastmod>
  </url>
  <url>
    <loc>https://www.steveslack.co.uk/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-01-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1525365301166-U5VLLZFZBPKGJ2U3VPID/DSC_0386.JPG</image:loc>
      <image:title>About me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1524398839811-FCR7CSSD50L1CQ1040YT/Steve+Slack+conducting+audience+research+interviews+at+the+British+Library.jpg</image:loc>
      <image:title>About me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1525443158860-3HNSN59PM6ER5EPFI3VB/Writing</image:loc>
      <image:title>About me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1604514180124-0SF4FH5AKD0YZ94LIBHZ/Interpreting+Heritage%3A+A+Guide+to+Planning+and+Practice+by+Steve+Slack+ISBN+9780367429157.jpg</image:loc>
      <image:title>About me</image:title>
      <image:caption>Interpreting Heritage is a practical book about delivering interpretive projects in museums, galleries, libraries, historic properties and outdoor sites. Published by Routledge, 2021 £32.99</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/14532c88-db4c-4337-954e-ed0f014d2eff/logos.jpg</image:loc>
      <image:title>About me - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.steveslack.co.uk/museum-text</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/44a323aa-1385-4056-9101-ccfccc04945e/A+Place+to+Call+Home+exhibition+at+The+Exchange%2C+Birmingham%2C+text+by+Steve+Slack.jpg</image:loc>
      <image:title>Museum Text - ‘A place to call home’</image:title>
      <image:caption>2023 This exhibition at The Exchange, Birmingham, used visitors’ feeback in a pilot exhibition to inform the copy I wrote for public display. When we asked people ‘what does a home need?’ we found roughly one half of the responses were physical things and the other half were intangible. So we ‘built’ some of these and wrote the accompanying copy accordingly.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1a67f5a7-8f3f-4111-816c-e073d6fbef3a/Steve+Slack%2C+Sharon+Webb+and+Aaron+Watson+in+Kilmartin+Glen.jpg</image:loc>
      <image:title>Museum Text - Kilmartin Museum, Argyll</image:title>
      <image:caption>2023 Great exhibition text isn’t written in a vaccum, but in collaboration. To kickstart my writing of the text for Kilmartin’s museum redevelopment, I got my boots dirty with the curators. Understanding the sense of place was really important when it came to crafting the text for the galleries.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/f6e33321-522c-40b2-9d94-017aee8119dc/Developing+an+interpretive+tone+of+voice+for+National+Galleries+of+Scotland%2C+Steve+Slack.jpg</image:loc>
      <image:title>Museum Text - National Galleries of Scotland</image:title>
      <image:caption>2023-24 Using the institutional brand voice of the organisation, I facilitated some creative workshops where we developed NGS’ interpretive tone of voice - the character, style and personality that inspires the text they write with. Together, we wrote some great copy, which is now inspiring curators when they write labels and panels for public display.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/45596f8b-714e-4c38-b1c7-f59616c8e075/Sankey+exhibition+at+The+Dock+Museum.jpg</image:loc>
      <image:title>Museum Text - Community exhibition editorial</image:title>
      <image:caption>2021 Working with a group of volunteers in Barrow, we created an exhibition of a historic photograph collection at The Dock Museum, celebrating the life of the Sankey family. I gave constructive criticism and helpful hints to the writing team, but the words were crafted locals, giving the display relevance and meaning.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/ba7c4cc9-21ae-4fa2-8137-afd5939a1511/Interpretive+writing+at+Buxton+Crescent+Visitor+Experience+%28Steve+Slack%29.jpg</image:loc>
      <image:title>Museum Text - Buxton Crescent Visitor Experience</image:title>
      <image:caption>2018 - 20 Working with the client team at Buxton Crescent Heritage Trust , I wrote the interpretive copy for new visitor experience. We developed a ‘voice’ for the experience combining grandeur and elegance with intrigue and spiciness.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1524397497806-Y978YFIGMEJ2Z9QA7UEA/Steve+Slack+listens+to+an+audio+guide+at+Guggenheim+Museum%2C+Bilbao</image:loc>
      <image:title>Museum Text - Audio and multimedia guides</image:title>
      <image:caption>2009 - ongoing Digital handheld is a great medium for delivering interpretation, although I understand that not everyone likes taking in information through a screen headset. I’ve enjoyed writing the scripts for over 20 tours and guides - for museums and heritage sites, a factory tour and a lavender farm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.steveslack.co.uk/teaching-and-coaching</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/5ec6ea69-9440-441f-b08b-2fad05fc9e00/Steve+Slack+leading+interpretation+workshops.jpg</image:loc>
      <image:title>Teaching and coaching - Group workshops</image:title>
      <image:caption>I lead online and in-person heritage training workshops for staff in museums, libraries, galleries, archives and other sites on a range of topics - interpretation planning; writing for exhibitions; audience research; exhibitions on a shoestring and others.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/138bbb63-28b7-4258-bd58-e7b599724600/Interpreting+with+care+workshop+by+Steve+Slack.jpg</image:loc>
      <image:title>Teaching and coaching - Interpreting with care</image:title>
      <image:caption>2023 I faciliated a workshop for curators dealing with so-called ‘difficult’ subjects. While planning the training session, I realised what all the topics required was care, as did the curators themselves, and also our visitors. We ended up having a meaningful, personal and at times moving workshop day.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/c23701c8-ed54-47ab-bc36-a8d62577a5c7/Xplore%2C+Wrexham+and+Eureka+Science+%2B+Discovery%2C+Birkenhead.jpg</image:loc>
      <image:title>Teaching and coaching - Inspiring Science Fund</image:title>
      <image:caption>2019–22 I was a project monitor for this fund, assisting with the redevelopment of Xplore! (Wrexham) and Eureka Science + Discovert (Merseyside). I acted as the point of contact between The Wellcome Trust and the individual centres, offering interpretive insight as part of the support process.</image:caption>
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      <image:title>Teaching and coaching - Group for Education in Museums</image:title>
      <image:caption>2021 – present I mentor early- and mid-career professionals who want to explore how interpretation and audience research play a part in museum learning and also about life as a freelancer. I have mentored people in York, Somerset, the Lake District, Tbilisi (Georgia) and Gabrovo (Bulgaria).</image:caption>
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      <image:title>Teaching and coaching - National Science and Media Museum, Bradford</image:title>
      <image:caption>2019-20 Working with a team of museum curatorial staff, I coached the curators towards an interpretive vision for two new galleries about Sound and Vision. The process involves taking time out of the regular working schedule, lots of questions and lots of sticky notes. Snacks help too.</image:caption>
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  </url>
  <url>
    <loc>https://www.steveslack.co.uk/audience-research</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-03</lastmod>
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      <image:title>Audience Research - Victoria Gallery &amp; Museum, Liverpool</image:title>
      <image:caption>2024-25 As part of the front-end research for an exhibition about where great ideas come from, I put on a silly hat and interviewed visitors and university students, asking them where they have their best ideas and if they’ve ever had a ‘lightbulb moment’. The results directly impacted the exhibition that we ended up creating</image:caption>
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      <image:title>Audience Research - National Railway Museum, York</image:title>
      <image:caption>2023 While designs for the forthcoming permanent gallery about Railway Futures were still being developed, I was commissioned to find out what visitors to the NRM associate with the future of the railways. Focus groups with target audneces, face-to-face interviews with visitors and a growing collaborative wall of ideas helped to inform the museum’s next steps…</image:caption>
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      <image:title>Audience Research - Wallace Collection, London</image:title>
      <image:caption>2022 I was hired to facilitate conversations with staff and learning specialists who wanted to understand more about how Deaf, disabled and neurodivergent students engage with the gallery. We created an evaluation framework that doesn’t make use of questionnaires or form filling and is instead compassionate and audience-centred. And quite fun too.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1601287942147-H777JL54R4UFJ8EV7MED/Red+archway+leads+into+a+top-lit+yellow+room+at+Dulwich+Picture+Gallery%2C+London</image:loc>
      <image:title>Audience Research - Dulwich Picture Gallery, London</image:title>
      <image:caption>2018-19 To find out what visitors think of a year-long programme of interpretive interventions the Gallery made in its exhibition areas, I spent time watching and talking to people about their reactions to the changes - anything from rewriting labels to painting the walls bright yellow. The iterative testing process contributed to a development of interpretive thinking and practice.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aabca333e2d0972b9c631f5/1601205937571-FBXY4F60BSJ3K8OMUVQ2/Visitors+walk+around+the+large+entrance+hall+of+the+British+Library%2C+London</image:loc>
      <image:title>Audience Research - British Library</image:title>
      <image:caption>2009-19 I have conducted formative and summative evaluation for over 20 temporary exhibitions at the Library, testing out ideas in development with members of the public. The feedback from this evaluation ensures the Library is able to deliver exhibitions that meet the needs and expectations of their visitors.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.steveslack.co.uk/sustainability</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-23</lastmod>
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      <image:title>Sustainable working statement</image:title>
      <image:caption>I ma certified as Carbon Literate.</image:caption>
    </image:image>
  </url>
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    <loc>https://www.steveslack.co.uk/home-alt-bedford</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-05-12</lastmod>
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</urlset>

